Keynote with Kimberly Jenkins: "Fashioning Freedom"
Jun
16

Keynote with Kimberly Jenkins: "Fashioning Freedom"

Fashioning Freedom

Join us in the Longwood Gardens Open Air Theatre for an evening with Kimberly Jenkins, who will lead us in the Voices Underground celebration of African American fashion and its critical relationship to the work of freedom. Joining Jenkins for this event is an Assistant Professor at Parsons School of Design and fellow in the Costume Institute of Metropolitan Museum of Art Dr. Jonathan Square, as well as Founder and CEO of Grant BLVD and Blk Ivy Thrift Dr. Kimberly McGlonn. This event will consist of a colorful lecture from Ms. Jenkins and a fireside chat with Dr. Square and Dr. McGlonn, followed by a fashion show highlighting the work of several African American curators and designers and a musical performance by Madelyn Brene.

Kimberly Jenkins is founder of The Fashion and Race Database and Artis Solomon Consulting, having formerly held the position of Assistant Professor of Fashion Studies at Toronto Metropolitan University and lecturer at Parsons School of Design and Pratt Institute. She has spent over ten years studying the impact of our clothes and how we express ourselves, through the lenses of politics, race, psychology and anthropology.

Dr. Jonathan Michael Square is the Assistant Professor at Parsons School of Design. He holds a PhD from New York University, M.A. from the University of Texas at Austin, and B.A. from Cornell University. He was previously a lecturer in the Committee on Degree in History and Literature at Harvard University and a fellow in the Costume Institute at the Metropolitan Museum of Art. He curated Past Is Present at the Herron School of Art and Design that closed in January. He has another show titled Afric- American Picture Gallery that opens at Winterthur Museum, Garden and Library in 2025. Square runs the digital humanities project Fashioning the Self in Slavery and Freedom.

Dr. Kimberly McGlonn is an advocate for justice & environmentalism, advocacy that informs her approach to leadership in the fashion industry. As Founder & CEO of the manufacturing start-up Grant Blvd®, she oversees the creative direction and growth strategy of the brand. Grant Blvd’s mission is to construct stylish, sustainably sourced fashion by creating living wage jobs for women, particularly those who are formerly incarcerated. Founded in 2017, Grant Blvd is the first Black - owned B Corp in North America in the fashion space. Outside of these roles, Kimberly disrupts via her second company, the thrift/vintage concept Blk Ivy, which tells the story of fashion as activism through a curation of garments which amplify the style of 1954 - 1972, her podcast “The School for Disrupters”, and her role as faculty member of Drexel University’s Westphal College of Media Arts & Design.

Reserve your seat!


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Sep
8

"Decency Exposed: The New Culture Wars" panel

FASHION POLICE 

Retail Ransacked: Theft on the Rise speakers:

  • Matthew Bauer, Madison Avenue Business Improvement District

  • Christopher Hornig, Saks Off Fifth

  • Estelle Strykers-Santiago, New York County District Attorney’s Office

  • Ashley Valdes, Warby Parker

  • Moderator: Professor Susan Scafidi, Fashion Law Institute at Fordham

Decency Exposed: The New Culture Wars speakers: 

  • Marilee Holmes, Save the Children

  • Professor Kimberly Jenkins, The Fashion and Race Database and Artis Solomon Consulting

  • Professor Susan Scafidi, Fashion Law Institute at Fordham

  • Moderator: Jeff Trexler, Comic Book Legal Defense Fund

We're not the fashion police -- though we're asked that question quite often! -- but we are keeping a close watch on current developments involving fashion and policing.  Join us on the eve of New York Fashion Week for FASHION POLICE, a double-header symposium in partnership with the Comic Book Legal Defense Fund.  The first panel, "Retail Ransacked: Theft on the Rise," will address this growing trend, its causes and effects, and strategies and public/private initiatives to combat it.  In case you missed our popular event at San Diego Comic Con, we'll reprise it with our second panel, "Decency Exposed: The New Culture Wars," an exploration of obscenity, decency, and current regulation of what we do or don't wear.  We look forward to welcoming you back to campus for the first time since the start of the pandemic!  Dress code: Clothed, please. 

DATE:  Thursday, September 8, 2022 
TIME:  9:00-11:45 am (breakfast 8:30am)
PLACE: Costantino Room, 2nd Floor,  Fordham Law School, 150 W. 62nd Street
NYS CLE: 3 hours professional practice, transitional and non-transitional 

Reservations recommended to guarantee admission. 

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In America: A Lexicon of Fashion—A Conversation with Designers
Jul
20

In America: A Lexicon of Fashion—A Conversation with Designers

"VEIL FLAG” by S.R. STUDIO. LA. CA., 2020. Courtesy of Sterling Ruby Studio. Photography by Melanie Schiff

Tremaine Emory, Designer, Denim Tears
Hillary Taymour, Designer, Collina Strada
Rio Uribe, Designer, Gypsy Sport
Moderated by Kimberly Jenkins, Assistant Professor of Fashion Studies, Toronto Metropolitan University

Learn about the significance of emotion, creativity, and ethics in the work of contemporary fashion designers featured in the Costume Institute exhibition In America: A Lexicon of Fashion.

Free, though advance registration is required. Space is limited. Please note: This live event takes place on Zoom.

Register now

Autogenerated captioning is available

At Online - Online

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Feb
7

Riveted: The History of Jeans

Kim appears on Riveted: The History of Jeans, an upcoming PBS story that reveals the fascinating and surprising story of this iconic American garment. At any given moment, half the people on the planet are wearing them. They have become a staple of clothing the world over, worn by everyone from presidents and supermodels to farmers and artists. More than just an item of apparel, America’s tangled past is woven into the indigo blue fabric. From its roots in slavery to its connection to the Wild West, youth culture, the civil rights movement, rock and roll, hippies, high fashion and hip-hop, jeans are the canvas on which the history of American ideology and politics is writ large.

Stream it here.

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Sep
2

Brooklyn Talks: The Sartorial Vision of Michelle Obama

Amy Sherald (American, born 1973). Michelle LaVaugn Robinson Obama, 2018. Oil on linen, 721/8 × 601/8 in. (183.2 × 152.7 cm). National Portrait Gallery, Smithsonian Institution. The National Portrait Gallery is grateful to the following lead donors for their support of the Obama portraits: Kate Capshaw and Steven Spielberg, Judith Kern and Kent Whealy, and Tommie L. Pegues and Donald A. Capoccia. (Photo: Courtesy of the National Portrait Gallery)

Amy Sherald (American, born 1973). Michelle LaVaugn Robinson Obama, 2018. Oil on linen, 721/8 × 601/8 in. (183.2 × 152.7 cm). National Portrait Gallery, Smithsonian Institution. The National Portrait Gallery is grateful to the following lead donors for their support of the Obama portraits: Kate Capshaw and Steven Spielberg, Judith Kern and Kent Whealy, and Tommie L. Pegues and Donald A. Capoccia. (Photo: Courtesy of the National Portrait Gallery)

From Inauguration Day to her official portrait by Amy Sherald (on view as part of our special exhibition The Obama Portraits Tour), First Lady Michelle Obama powerfully expressed the values and vision of the Obama White House through her sartorial choices. Explore the former First Lady’s culture-shifting style with image strategist Meredith Koop—who has been Michelle Obama’s stylist since 2010, in the White House and for subsequent appearances—and fashion historian Kimberly M. Jenkins, Assistant Professor of Fashion Studies, Ryerson University, and principal researcher for The Fashion and Race Database. The two discuss some of Michelle Obama’s key looks, starting with her official portrait, and explore the intersection between fashion and politics.

Tickets are $30 and include after-hours admission to The Obama Portraits Tour. Member tickets are $20. Not a Member? Join today!

This program will include ASL interpretation. For access needs, please email us at access@brooklynmuseum.org.

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Jun
17

Fashion, Culture, Futures: African American Ingenuity, Activism, and Storytelling

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Fashion, Culture, Futures: African American Ingenuity, Activism, and Storytelling is a two-part symposium co-organized by Cooper Hewitt, Smithsonian Design Museum and the Smithsonian’s National Museum of African American History and Culture. Presented virtually Thursday, June 17, and Thursday, Oct. 21, both programs will bring together academics, designers, critics, models, artists, activists and others to share new perspectives on the relationship between fashion and the African American experience.

Join Cooper Hewitt on June 17, 2021 for part one of the symposium, which will tackle the complex network of artists, innovators and image makers that influence the field of fashion. Inspired by Cooper Hewitt’s current Willi Smith: Street Couture exhibition and Willi Smith’s efforts to use fashion to express broader ideas about representation, inclusion and diversity, the program will illuminate how African American creatives are leading innovation and change within the contemporary fashion system.

Register Here

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Apr
9

Costume Studies Presents: 20th Annual Richard Martin Thesis Symposium

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Register for this event

Please join us to celebrate the creative scholarship of the MA Costume Studies graduating students! The event will feature student research presentations and will culminate in a guest lecture from Kim Jenkins, Assistant Professor of Fashion Studies at Ryerson University and founder of the Fashion and Race Database

Student Presentations:

Guaranteed to Wrinkle: Linen as Luxury in 1980s Fashion
Emily Elizabeth Lance

The White Suit: A Symbol of Otherness in Brazilian Culture, 1850 to the Present
Victoria Sperotto

Suited for Infamy: The Legacy of Lolita Lebron
Leia Pellot 

Keynote presentation:

Leaving Your Mark in Fashion Studies
Kim Jenkins

Kim is Assistant Professor of Fashion Studies in the School of Fashion at Ryerson University, lecturing previously at Parsons School of Design and Pratt Institute. Kim designed an elective course and exhibition entitled, Fashion and Race, sharing her insight at SXSW and Google HQ. Her expertise on fashion, race and cultural awareness has led to academic advising work for Gucci, Camera Nazionale della Moda Italiana, the Centraal Museum and The Metropolitan Museum of Art. She is the founder and director of The Fashion and Race Database, a web platform that examines the intersection of fashion and racism, with supportive brand partnerships that include Tommy Hilfiger and Holt Renfrew. Kim holds an MA in Fashion Studies from Parsons School of Design. 

Photo credits:
Wilson Batista. January 1951. Photograph. Correio da Manhā Collection at the Brazilian National Archives.
European Confederation of Flax and Hemp, “Linen: The Designer Fiber,” Vogue, Volume 179, Issue 6 (June 1, 1989). The Vogue Archive.
Beaumont, Vagabond. Lolita Lebron. June 8, 2009. Photograph. 

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Apr
9

FIT: Art/Works Symposium 2021

Young artists and designers face a sometimes cruel or indifferent world. How do we prepare art and design students for careers in the capitalist marketplace?

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Join us on April 8 and 9 for Art/Works: Teaching Labor and Capitalism in Art and Design, an online symposium sponsored by the National Endowment for the Humanities and hosted by the Fashion Institute of Technology.

We will discuss such questions as art and design in an age of catastrophe, internships, nationalism and cultural appropriation, teaching about labor unions and collectives, and how to learn from an art/design racial crisis. Panelists include artists, designers, and faculty from FIT, Parsons, the School of the Art Institute of Chicago, Fordham, CUNY, Princeton, Harvard, Boston University, Penn State, and Ryerson University. Please check out the link to our symposium schedule and RSVP by April 5.

RSVP for April 8 and 9.

The Art/Works schedule is available here:

https://businesshistory.fitnyc.edu/art-works-symposium-2021/

Questions about the symposium can be directed to Kyunghee Pyun or Dan Levinson Wilk.

kyunghee_pyun@fitnyc.edu

daniel_levinsonwilk@fitnyc.edu

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Feb
18

Harlem's Fashion Row 3rd Annual Digital Summit

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Moving beyond the Black Box, A New Conversation about Race

This event will feature over 30 professionals from across the fashion and retail industry engaged in a new conversation about race and fashion. This event will provide best practices by brands that are “getting it right", education for brands “figuring it out”, and opportunities for brands ready to “make a difference”. This conference is curated based on our 13 years of experience in promoting people of color in fashion. Our goal is to educate the industry on potential solutions, provide solutions to brands still searching for answers, and share the best practices over the past six months.

Register here.

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Feb
10

BostonTalks: The 1920s and Now (Virtual)

Register Here

The 1920s brought us a pandemic, social unrest and race riots, developments in technology, a fashion revolution and a resurgence of feminism. Now, a century later, can we anticipate another roaring ‘20s? Join us virtually as The Curiosity Desk’s Edgar B Herwick III interviews two experts who will help answer this question.

First up, professor Nicholas Christakis will discuss social behavior then and how he anticipates people will behave now post-pandemic. Next, hear from professor Kim Jenkins about fashion, race and culture in the 1920s and where we’re heading in the 2020s.

Edgar will select queries from the audience and even ask you a few of his own!

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Featuring:

Kim Jenkins
Assistant Professor of Fashion Studies at Ryerson University
Kim became best known for designing a course and exhibition called Fashion and Race and has shared her insights globally in industry forums and institutions. Her expertise in fashion history and infusing ‘race’ into fashion theory education has led to consulting work for Gucci, the Centraal Museum, and other corporate brands and organizations. Kim is the founder of the Fashion and Race Database, an online platform that expands the narrative of fashion history and challenges misrepresentation within the fashion system.

Nicholas A. Christakis
Sterling Professor of Social and Natural Science, Yale University
Nicholas A. Christakis, MD, PhD, MPH, is a social scientist and physician at Yale University who conducts research in the fields of network science, biosocial science and behavior genetics. He directs the Human Nature Lab and is the Co-Director of the Yale Institute for Network Science. He was elected to the National Academy of Medicine in 2006, the American Association for the Advancement of Science in 2010 and the American Academy of Arts and Sciences in 2017. His recently wrote Apollo's Arrow: The Profound and Enduring Impact of Coronavirus on the Way We Live.

Hosted by Edgar B. Herwick III of GBH’s Curiosity Desk
Edgar runs GBH’s Curiosity Desk, where he aims to dig a little deeper (and sometimes askew) into topics in the news and looks for answers to questions posed by the world around us.

This virtual event will begin at 7pm Eastern Standard Time.

How it works:
We will email you the link to this event once you have registered.

GBH will be using Zoom Webinar for this event. Zoom is free to the public but will require a computer download. You can download Zoom here. If you already have Zoom, you will not need to download the platform again.

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Nov
23

Ryerson University: FCAD RUBIX

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This year, RUBIX features 38 scholarly research and creative (SRC) projects from faculty members across our creative and dynamic faculty. Discover FCAD's creative edge through multimedia experiences in the fields of media, design and creative industries.

Join us on Monday, November 23rd from 5pm-6pm for our launch event and celebration featuring engaging demos and discussion on the future of SRC.

Register here.

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Nov
23

Financial Times: Business of Luxury Summit

Diversity and Inclusion: How To Create Meaningful Change

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A magazine editor-in-chief and diversity consultant talk about workplace discrimination, and what fashion and media companies need to do to meaningfully promote racial and ethnic diversity.

Kimberly Jenkins, assistant professor of fashion studies, Ryerson University

Lindsay Peoples Wagner, editor-in-chief, Teen Vogue and co-founder, Black in Fashion Council
Moderated by Isabel Berwick, Work & Careers Editor, Financial Times

View the full agenda for the FT Business of Luxury Summit.

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Oct
30

Fashion Studies Alliance Film Night: Antonio Lopez 1970: Sex, Fashion & Disco

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Friday nights are made for fashion films! FSA brings you the fifth installment of their monthly series that showcases a fashion (or fashion-adjacent) film, a thematic menu and a post-film discussion.

This month’s selection is Antonio Lopez 1970: Sex, Fashion & Disco (2017), directed by James Crump.

Synopsis: A documentary about fashion illustrator Antonio Lopez, whose work in New York and Paris during the 1970s was highly influential.

Here’s how to join:

- (Optional): Prepare/procure the thematic menu items, curated by co-founding FSA members Ariele Elia and April Calahan.

- Rent/stream Antonio Lopez 1970: Sex, Fashion & Disco and view the film synchronously with FSA on Friday evening, October 30 at 7:00 PM EST

DISCUSSION:

Join Antonio scholar Alex Joseph and FSA co-founding members Ariele Elia and Kim Jenkins as they lead a virtual discussion immediately following the film at 8:30 PM EST.

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Oct
29

The Fashion & Race Database Conversation Series Part 3

Retail as a Portal: The Way Forward to Systemic Change

The Fashion and Race Database Conversation Series is launching with a three-part panel series entitled, ‘Retail as a Portal,’ that explores how retail can empower us to produce and consume with positive, social impact and ignite systemic change. This series is hosted by professor and Founder of The Fashion and Race Database (www.fashionandrace.org), Kimberly Jenkins, and she will be joined by figures in the fashion constellation who are leading through visionary thinking and doing.

Thank you to our title sponsor, Holt Renfrew’s H Project which carries a mandate of connecting consumers, causes and communities to inspire a new generation of purposeful luxury and drive positive change in the world. The mandate of the Fashion and Race Database aligned with Holt Renfrew’s commitment to honour diversity and inclusion and we're thrilled to have their support and leadership in bringing these conversations forward.

All events are free to register and open to the public. The conversations will be recorded.

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Robin Givhan is Washington Post Senior Critic-at-Large writing about politics, race and the arts. Previously, she covered the fashion industry as a business, as a cultural institution and as pure pleasure. She is the 2006 Pulitzer Prize winner for criticism and author of The Battle of Versailles: The Night American Fashion Stumbled into the Spotlight and Made History. In addition to The Post, Givhan has worked at Newsweek, Daily Beast, Vogue magazine and the Detroit Free Press. During her most recent tenure at The Post, in addition to fashion, Givhan covered Michelle Obama during the first year of the administration.

Sherri McMullen is the Founder of her eponymous luxury concept retail stores, McMullen, located in Oakland and Palo Alto, California. With more than 20 years of fashion industry experience, Sherri is dedicated to advocating for industry change while committing resources and platforms for Black designers and creatives. Using her platform, she brings awareness to emerging designers, diversity on a corporate level, and industry innovation. She was awarded for her exemplary achievements in fashion entrepreneurship, business management and community service to organizations focused on women, children and the arts.

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Oct
22

The Fashion & Race Database Conversation Series Part 2

Retail as a Portal: Image-making as a Blueprint for Systemic Change

The Fashion and Race Database Conversation Series is launching with a three-part panel series entitled, ‘Retail as a Portal,’ that explores how retail can empower us to produce and consume with positive, social impact and ignite systemic change. This series is hosted by professor and Founder of The Fashion and Race Database (www.fashionandrace.org), Kimberly Jenkins, and she will be joined by figures in the fashion constellation who are leading through visionary thinking and doing. The first installment of this series, ‘Retail as a Portal for Change,’ will feature an acclaimed design duo and an ethnobotanist who are transforming retail in both concept and practice. 

Thank you to our title sponsor, Holt Renfrew’s H Project which carries a mandate of connecting consumers, causes and communities to inspire a new generation of purposeful luxury and drive positive change in the world. The mandate of the Fashion and Race Database aligned with Holt Renfrew’s commitment to honour diversity and inclusion and we're thrilled to have their support and leadership in bringing these conversations forward.

All events are free to register and open to the public. The conversations will be recorded.

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Sir John is a dynamic force in the beauty and fashion industry, creating iconic looks with his signature use of color, luminance, and inclusive style. He developed his reputation as a Global Artis creating statement looks while working with industry moguls Pat McGrath and Charlotte Tilbury backstage at fashion shows worldwide. Sir John’s magnetic presence and unique creative approach has allowed him to work with some of the world’s most iconic women including Beyoncé, whose tone-setting signature looks Sir John has been trusted with since 2010. Over the course of his career, Sir John has helped shape the culture of the beauty industry, with his commitment to inclusivity and understanding the ever-changing needs of women. His leadership and passion for authenticity have driven him to champion an inside-out approach to beauty that helped make him the Global Ambassador and Consultant with L’Oréal Paris, as well as partnerships with numerous other brands including Glossier, MAC, Yves Saint Laurent, and Estée Lauder.

Yomi Abiola is the founder of The Fem League, a multimedia platform and incubator that provides a powerful perspective on women as creatives, leaders and entrepreneurs globally. Yomi operates as a strategic advisor and guide to leaders globally. She is a former creative director and model. As an international voice for Cultural Curiosity and inclusive leadership, Yomi has advised and presented at numerous organizations including Harvard, Yale, Milken Institute, MIT, the United Nations, The Wilson Center and TED. Yomi Abiola is a graduate of Columbia School of Journalism, Sciences Politiques Paris and Harvard. She currently serves as an associate to the UNESCO Chair for human rights as well as an MIT Legatum Catalyst. She is an editor at Vogue Italia online.

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Oct
15

The Fashion and Race Database Conversation Series

About this Event

The Fashion and Race Database Conversation Series is launching with a three-part panel series entitled, ‘Retail as a Portal,’ that explores how retail can empower us to produce and consume with positive, social impact and ignite systemic change. This series is hosted by professor and Founder of The Fashion and Race Database (www.fashionandrace.org), Kimberly Jenkins, and she will be joined by figures in the fashion constellation who are leading through visionary thinking and doing. The first installment of this series, ‘Retail as a Portal for Change,’ will feature an acclaimed design duo and an ethnobotanist who are transforming retail in both concept and practice. 

Thank you to our title sponsor, Holt Renfrew’s H Project which carries a mandate of connecting consumers, causes and communities to inspire a new generation of purposeful luxury and drive positive change in the world. The mandate of the Fashion and Race Database aligned with Holt Renfrew’s commitment to honour diversity and inclusion and we're thrilled to have their support and leadership in bringing these conversations forward.

All events are free to register and open to the public. The conversations will be recorded.

Byron and Dexter Peart are twin brothers and the co-founders of Want Les Essentiels, a cult high-end accessories label focused on making stylish and comfortable luggage and travel bags for frequent travellers. In 2017, they launched GOODEE (www.goodeeworld.com). GOODEE is a leading curated marketplace offering essential homewares and lifestyle products for better living. GOODEE leads the way in curating a marketplace that brings together the values of good design, good people, and good purpose.

Leigh Joseph (ancestral name Styawat), is an ethnobotanist, researcher and entrepreneur from the Squamish First Nation. She contributes to cultural knowledge renewal in connection to traditional plant foods and medicines.

As founder of Sḵwálwen Botanicals, Leigh brings together Indigenous science and self-care rituals, crafting skincare experiences grounded in the natural world. Sḵwálwen (skwall-win) translates roughly to “heart” or “essence of being” in the Squamish language. This name honours the inspiration behind the business: building connections to the land through working with plants in a way that feeds one’s heart and spirit. Sḵwálwen has been featured in Elle Canada, Flare, enRoute, HuffPost and Chatelaine. Learn more at www.skwalwen.com.

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Moderating: "The New Black Vanguard"
Nov
19

Moderating: "The New Black Vanguard"

From The New School and Aperture Foundation:

Celebrating the forthcoming Aperture title The New Black Vanguard: Photography between Art and Fashion, this conversation will address the radical transformation taking place in fashion and art today. The featuring of the black figure and black runway and cover models in the media and art has been a marker of increasingly inclusive fashion and art communities. In the book, curator and critic Antwaun Sargent opens up the conversation around the role of the black body in the marketplace; the cross-pollination between art, fashion, and culture in constructing an image; and the institutional barriers that have historically been an impediment to black photographers participating more fully in the fashion (and art) industries.

The panel will include Antwaun Sargent and photographers and New School alumni Quil Lemons and Micaiah Carter. The event will be moderated by educator Kimberly Jenkins.

This conversation is presented by Aperture Foundation and the Photography Program of Parsons School of Art and Design at The New School.

Kimberly Jenkins is an educator who specializes in the sociocultural and historical influences behind why we wear what we wear, specifically addressing how politics, psychology, race, and gender shape the way we “fashion” our identity. Based in New York, with a background in cultural anthropology and art history, she is a lecturer at Parsons School of Art and Design. In Fall 2016, Kim debuted the undergraduate course Fashion and Race, examining the implications of the social construct of race in fashion history, business, and image-making. In Spring 2019, Kim worked as an education consultant for Gucci to support their efforts on cultural awareness and sensitivity.

Antwaun Sargent is an independent writer, curator, and critic whose work has been published in the New Yorker, New York Times, W, Vogue, VICE, and various museum catalogues, among other publications.

Image: Quil Lemons, New York, 2017, from The New Black Vanguard (Aperture, 2019); © Quil Lemons

Presented by the School of Art, Media and Technology at the Parsons School of Design

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Discussant: "Decolonizing Fashion, Refashioning Objects in the Ethnographic Museum"
Nov
14
to Nov 15

Discussant: "Decolonizing Fashion, Refashioning Objects in the Ethnographic Museum"

From the Research for Material Culture and Museum Volkenkunde:

CLOSED WORKSHOP | 14 & 15 November | RCMC

Moving objects from one cultural frame of reference to another – for example from ethnography to fashion – challenges not only curators, museums and museum goers, but invites a close interrogation of both the structural limits and perceived affordances of the various disciplines at stake (anthropology, ethnography, history, fashion studies and practice, etc.). Various projects are already responding to this challenge, inviting artists, curators and community members to re-mediate objects from ethnographic museum collections, to reframe, re-imagine and restage these objects. We propose to rethink confluences of history, museum practices and aesthetic concepts, engendering a decolonized concept of fashion by exploring principles and qualities of fashion in objects that have previously been denied a fashion status.

This two-day workshop will work through these aims to produce a new and inclusive statement on fashion curation, set within the context of the National Museum of World Cultures in the Netherlands and the unique potential of this ethnographic collection.

Change has been used as the hallmark of Western fashion uniqueness. The perceived timelessness of folk, tribal and other indigenous clothing systems has excluded and precluded them from the conceptual domain of fashion. Bodily adornment is a human universal; we propose to highlight the universal dynamism in that phenomenon to put into relief the perniciously fallacious construct of fashion as exclusively Western. Our inclusive strategy facilitates the emergence of diverse fashion histories and narratives. At the same time, our strategy propels the ethnographic museum to the forefront of fashion reconceptualization. Decolonizing the ethnographic museum is key to revising persistent ideas about fashion, while decolonizing fashion is an indispensable driver for revitalizing the ethnographic museum.

AT THE INTERFACE OF CHANGE

Museums in the twenty-first century are progressively being tasked to decolonize, with many already addressing past injustices, confronting difficult heritages, and making efforts to rewrite histories and re-imagine worlds. Similarly, the Western fashion system has been tasked to re-form, radically challenging the foundations of luxury, power and distinction encoded in its ideologies. Confrontations to the dominant fashion system, such as the problematic politics and economics of production, diverse environmental catastrophes and outspoken appropriation activism, are collectively impacting on fashion’s definitions and responsibilities.The conceptualization of fashion is in radical flux - but the cross-cultural component is still too often absent. The leadership of ethnographic museums can make an important and significant difference.

AN INTERDISCIPLINARY METHODOLOGY

The RCDF proposes a two-day interdisciplinary workshop, tailored to the needs of the National Museum of World Cultures (NMWC) in The Netherlands and the rich possibilities in its stores, and by extension of relevance to wider ethnographic collecting and fashion theory. The programme will be object led, utilizing a variety of strategies to support object-centred discussion and bringing together curators and thinkers who have a range of international and disciplinary contexts and experiences of reformulating and decolonizing fashion. The workshop will explore the effects of rethinking fashion, strategies for recontextualizing fashion, and the outcomes of situating museum objects of adornment as ‘fashion’. Crucially, we propose a think-tank approach in order to collaboratively identify new tools for thinking about fashion objects, and push the envelope of decolonial affordances.

Considering the related economies of belonging and identity shared by museums and fashion, the workshop will open up and interrupt histories, objects and practices in the present, so as to inform alternative, urgently needed fashion histories and narratives and new curatorial approaches. The workshop will conclude with the production of a collaboratively authored draft document on the curatorial futures of fashion objects in the ethnographic museum.

PARTICIPANTS

Alison Moloney [tbc]

Angela Jansen

Carol Tulloch

Daan van Dartel

Erica de Greef

Kimberly Jenkins

Lesiba Mabitsela

Peter Lee

Riley Kucheran

Rolando Vazquez

Sandra Niessen

Sarah Cheang

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Guest Lecture: Art History Happy Hour at the Brooklyn Museum
Sep
12

Guest Lecture: Art History Happy Hour at the Brooklyn Museum

  • Brooklyn Museum, Martha A. and Robert S. Rubin Pavilion, 1st Floor (map) (map)
  • Google Calendar ICS

From the Brooklyn Museum:

Join us for an evening of entertaining and informative lectures in honor of our special exhibition Pierre Cardin: Future Fashion. Drawing on Cardin’s legacy as an innovator, scholars and experts reflect on the history of fashion and imagine its future. In these short talks, Kimberly Jenkins examines fashion, race, innovation, and Pierre Cardin; Alexis Romano explores postwar French ready-to-wear style; and Uzo Ejikeme and Stoney Michelli of Stuzo Clothing discuss their work designing gender-free fashion for the future. Between lectures, grab a drink from our cash bar sponsored by Stella Artois and catch musical sets by Elosi.

This event is free, but please RSVP (purchase tickets for Pierre Cardin: Future Fashion separately).

To request accommodations such as assistive listening devices, American Sign Language interpretation, and open captioning, email us at access@brooklynmuseum.org.

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Fashion & Justice with Kim Jenkins & Dr. Jonathan Michael Square
Apr
19
to Apr 20

Fashion & Justice with Kim Jenkins & Dr. Jonathan Michael Square

AGENDA:

Open Lecture, “Fashion & Justice: Creative Interventions"

Friday, April 19, 623 S. Wabash, Room 109 (Hokin Hall), 6-7:30 PM

Kimberly and Jonathan will discuss how the creative practices of curating and zine-making (among other things!) can serve as entry points for contemplating how marginalized and radicalized communities understand themselves and their place in the world. This lecture is free and open to the public and is a great event for undergraduate design, merchandising and cultural studies students. (Come early for free pizza!) Register via Eventbrite.

The Fashion & Justice Workshop

Saturday, April 20, 624 S. Michigan Ave., Room 301, 8:45AM-5PM

Fashion forms part of a society’s rich tapestry and can serve as an entry point into contemplating how marginalized and racialized communities understand themselves and their place in the world. Fashion & Justice is a daylong workshop that examines the role of fashion in challenging inequality through sartorial ingenuity. The schedule includes an analysis of artwork and artistic projects, partial film screenings, review of relevant literature, conversations with guest speakers, and a look at designers, artists, journalists, curators, photographers, and academics who explore the fashion system through a critical lens. Participants leave the workshop with a syllabus equipping them with tools to understand how marginalized communities harness fashion to negotiate the complexities of power and visibility (and the lack thereof), proposing substantive solutions for a more just fashion system.(Complete schedule below!) Tickets are $25 for non-Columbia participants and includes a light breakfast, lunch and coffee. Register via Eventbrite.

8:45-9:15—Breakfast and Registration

9:15-9:30—Introductions

9:30-10:50—Lecture, Kim Jenkins, “Fashion and Race: Progressing the Field Through Public-Facing Work”

10:50-11—Coffee Break

11-12:30—Activity, "Fashion in the Family Archive”

12:30-1:00—Catered Lunch

1:00-2:30—Lecture, Dr. Jonathan Michael Square, “Sewing the Fabric of Freedom"

2:30-2:40—Coffee Break

2:40-3:45—Activity, “New Ways of Seeing: Fashion Objects as Evidence of Liberation”

3:45-5—Kim and Jonathan in Conversation with Camille Morgan (Program Coordinator, Center for the Study of Race, Politics, and Culture, University of Chicago) and Rikki Byrd (Ph.D. Student, Department of African American Studies, Northwestern University)

5-6:30—Reception, Lobby Bar, The Blackstone (636 S. Michigan Ave.)

Kim Jenkins specializes in the sociocultural and historical influences behind why we wear what we wear, specifically addressing how politics, psychology, race and gender shapes the way we ‘fashion’ our identity. Based in New York, she holds an M.A. in fashion studies and is a part-time lecturer at Parsons School of Design, where she debuted the undergraduate course “Fashion and Race” at Parsons, examining the implications of the social construct of race in fashion history, business and image-making. In fall 2018, Kim curated her first exhibition, Fashion and Race: Deconstructing Ideas, Reconstructing Identities (October 27–November 11), along with The Fashion and Race Database, an online resource for all things related to the analysis of fashion and race. Kim’s expertise has been called upon at the Fashion Institute of Technology, Parsons School of Design, Ryerson University, Seton Hall University and SXSW, and her work has been referenced by numerous publications, including The Financial Times, NYLON, Teen Vogue, Refinery29, Fashionista, I-D, and DAZED.

Dr. Jonathan Michael Square is a writer and historian specializing in fashion and visual culture in the African Diaspora. He has a PhD in history from New York University, a master’s degree from the University of Texas at Austin, and B.A. from Cornell University. He has taught at the University of Pennsylvania, Fashion Institute of Technology, and currently at Harvard University and Parsons School of Design. He also runs the digital humanities project Fashioning the Self in Slavery and Freedom, which explores the intersection of fashion and slavery.

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Celebration and Launch for "Fashioning the Self" Zine with Jonathan Square
Apr
4

Celebration and Launch for "Fashioning the Self" Zine with Jonathan Square

It's a celebration! Please join Fashion Studies Alliance and Jonathan Michael Square for a talk to celebrate the launch of the first print edition of the Fashioning the Self zine.

*copies of the zine will be available for purchase at the event. Register here.

This event is hosted by the Fashion Studies Alliance and made possible through the sponsorship of the Fashion Studies program at Parsons School of Design.

About the Fashion Studies Alliance:

We are a New York-based network and support system for professionals working in the fields of fashion studies including archiving, curation, conservation, design and research that fosters collaboration, growth, support and development of individuals and the community.

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Panelist at SXSW: "Feminist Rising: Why Brands Must Take a Stand"
Mar
8

Panelist at SXSW: "Feminist Rising: Why Brands Must Take a Stand"

From SXSW:

Today’s feminists are unstoppable – raising their voices for equality, diversity and inclusion. Fashion brands are following suit. Rebecca Minkoff has taken initiative with politics, supporting candidate Catalina Cruz, dubbed “the legislative middle finger to Trump” by NY Mag. Architectural swimwear brand Chromat changed the face of the catwalk and advertising, featuring people of all shapes, sizes, abilities and identifiers.

As brands walk on eggshells to be politically correct, these women-led brands are busting through barriers, and agencies like Berlin Cameron and its Girl Brands Do It Better division are facilitating the charge and attracting customers along the way.

The session closes with a powerful, inclusive pop-up fashion show featuring an exclusive collection for SXSW.

Register here.

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The People's Ball: A Night of Style, Imagination, Freedom and You
Dec
1

The People's Ball: A Night of Style, Imagination, Freedom and You

I am on the steering committee for The People’s Ball, “a party celebrating imagination, style and freedom—with a touch of subversion.”

From the Brooklyn Public Library:

The People’s Ball offers all who attend a red carpet arrival and catwalk on which to express themselves in their most beautiful, courageous, and spirited personal style. The catwalk opens every hour for 15 minutes for anyone who wants to shine on it.

Special guests punctuate the evening with public addresses on why authentic self-expression matters so deeply at a time when personal freedom is at stake. Think Revolution in Heels.

The Event is Free.

Follow @bpl_presents for updates about special guest hosts, DJs, and food and drink specials.

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Film Screening + Q&A with André Leon Talley
Nov
5

Film Screening + Q&A with André Leon Talley

  • Anna-Maria and Stephen Kellen Auditorium (map) (map)
  • Google Calendar ICS

As part of the programming for the exhibition, Fashion and Race: Deconstructing Ideas, Reconstructing Identities, curator and lecturer Kimberly M. Jenkins will screen the film The Gospel According to André and host André Leon Talley and director Kate Novack for a Q&A discussion. This event is made possible by the School of Fashion and is free and open to The New School community. Seating is limited, first come, first served, RSVP required.

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